Quentin Tarantino
Tarantino's films will often begin with rather long opening credits that are not intergrated, but instead focused on, for example in Kill Bill (2003) and Reservoir Dogs. Another feature of Tarantino's films is his use of memorable music, such as Beethoven's Fur Elise in Inglourious Basterds and Ennio Moricone in The Hateful Eight. Tarantino also uses his signiature 'trunk shot' in many films, where a low angle shot is used to show the characters from the perspective of inside the boot of a car. This makes the audience feel as though they are part of the setting, however, also curious as to what is in the trunk that they cannot see.
A 'Mexican Stand Off' is also typical of a Tarantino film. This is usually a long or mid shot, where two or more characters stand directly opposite each other, both pointing weapons at the other side. This type of shot builds immense tension, as the audience can see everything that is happening and also clearly understand who is on which side.
Tarantino also likes to feature in his own films, for example as Mr Brown in Reservoir Dogs or as Warren in Death Proof (2007).
Tim Burton
Burton's films can be seen as masterpieces due to the years taken to create many of them, although this can be partly attributed to them being animations. As when watching a Studio Ghibli or Disney animation the audience knows he is the director as they are very stylistic, e.g. the dark colouring in Corpse Bride or the long, skinny arms and legs of Jack Skellington in The Nightmare Before Christmas.
Baz Luhrmann
A common feature of Luhrmann's films is pathetic fallacy, meaning the attribution of feelings to inanimate objects, such as the weather. This can be seen clearly in his adaptaion of Romeo and Juliet, where a storm is used to demonstrate tension. Another example of Luhrmann adapting another's work is The Great Gatsby, based on the 1925 novel by F. Scott Fitzgerald.
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